April 19, 2011
These two reverse hechts were performed by a junior elite gymnast still in the process of learning the skill. He misses the first turn and catches the second, and it seems that one of the main differences between both attempts was related to the direction of the arm throw to begin the flying phase.
April 19, 2011
When athletes miss their reverse hecht releases, if possible, they must aim to land flat and try not to use their arms which can result in an injury to an upper limb bone or joint. Check how this gymnast aims for a proper whole body flat landing.
April 19, 2011
These are a few video examples of pike reverse hechts performed by junior athletes starting the skill. Regardless of the body position, all great reverse hechts require a sudden stop after the tap kick to a candle stick. Gymnasts should demonstrate high straddle hechts before mastering pike and layout hects.
April 19, 2011
Besides the larger amount of power required to perform a layout reverse hecht compared to a piked reverse hecht, the main difference between both skills is given by the way the bar is cleared during the flying phase. A true layout hecht clears the bar in a straight or hollow position without exhibiting any obvious hip flex.
April 14, 2011
Once the gymnasts are demonstrating some improvement on the basic beam walks they may progress to start training little beam hops. This kind of challenge must be introduced on a low beam first and only practiced on the high beam when the gymnast shows safe and fair consistency.
April 14, 2011
These kind of hops require a good balance control and must not be attempted by novice gymnasts on a high beam. After the athletes have demonstrated acceptable proficiency on a low beam they can progressively move a skill to a medium beam and later on to a regulation height beam. Any type of basic drill hopping on one single leg should be trained on support feet. Notice how this athlete was kicking with the right leg up first and then comes back kicking with the left leg up.
April 14, 2011
Gymnasts at all levels benefit from practicing connected tuck jumps even if they have already mastered them. The jumps can be performed moving forward across the beam like in these examples or connecting several jumps in place without traveling forward, taking off and landing in the same place.
April 14, 2011
Gymnasts that have mastered straight body jumps moving along the length of the beam can start training this variation where they combine tight arch jumps with hollow shape jumps. Besides helping the athletes to continue developing their balance and confidence, these jumps also help to refine body shaping accuracy, landing stability and other execution and presentation aspects like keeping straight legs and the feet pointing during airtime.
April 14, 2011
These kinds of activities are good challenges to master during warm ups or gymnastics dance periods. During each jump the legs straighten and the feet switch back and forth to end in the same position that the jump began. After several repetitions the gymnasts change the feet position so they can practice the other side. Some of the main goals are to maintain a vertical body position in the air and while landing on the ground plus keeping the stomach in and the buttocks also tucked-in through the whole skill.
April 14, 2011
The little switch drill is another basic activity to develop jumping confidence on the beam. The feet should be facing forward and not turned in during take off and especially during landings. The gymnast should also concentrate on proper posture and form presentation while standing up on the beam or during the flying phases of the jumps.